Curva Blu IV [2019]

Curva Blu is INCURVA’s artist residency programme.

Curva Blu unfolds in the middle of the Mediterranean Sea, on the Island of Favignana, a diverse natural environment, a territory of possible exploration and discovery.

The project aims to offer a place for artists who search a totally unique condition, where geographical, historical, and social characteristics can become sources of inspiration, the base for experimentation, new dialogues and exchange. Since its inception, Curva Blu, focuses on a dialogue between the participating artists and the territory.

The fourth iteration of Curva Blu, held in June and July 2019, employs the concept of dialogue as a dialectical form of encounter and exchange. For 2019, the recipients of the research grant are Francesco Pedraglio (Italy), Tania Pérez Córdova (Mexico), Margherita Raso (Italy) and Dominique White (UK).

The artists will use the time offered on the island to research and deepen themes and processes already present in their work, whilst being contaminated by communal living and the territory. By using personal artistic processes and discourses as a creative point of departure we wish to initiate new forms of artistic production focused on collaboration, encouraging also new critical perspectives and visions.

Marianna Vecellio and Attilia Fattori Franchini

The 2019 artists in residence are:

Francesco Pedraglio (b. 1981, Italy)

Francesco Pedraglio (1981, Italy) is interested in storytelling as a tool to decode his way of relating to both mundane and historically complex situations. He focuses on the way narration and staging influence the relationship between a speaker and a listener, a viewer and an object. Being performance, sculpture, installation or films, the core of his practice has to be found in his writings. Together with artist Tania Pérez Córdova, Pedraglio runs the publishing project Juan de la Cosa / John of the Thing.

His work has been shown at Norma Mangione Gallery (2019); Kettle’s Yard, Cambridge (2018); Museo Leonora Carrington, San Luis Potosí (2018); P///AKT, Amsterdam (2017); Kunstverein Munich (2017); CRAC Alsace (2017); Sheffield Fringe (2016); Parallel, Oaxaca (2015); The Physics Room, Christchurch (2015); Kunsthalle Wien (2015); ICA, London (2015).

A collection of poems titled 99 Battle and 1 War (an extract) was published by Piano Nobile (CH) in October 2016. His first novel A man in a room spray painting a fly was published by Book Works in summer 2014.

Tania Pérez Córdova (b. 1979, Mexico)

Tania Pérez Córdova’s research in a variety of media informs a practice that focuses on the seemingly paradoxical relationship between the materiality and inherent narrativity of creation. Her objects become ciphers for abstract situations while remaining faithful to their formal and conceptual coordinates. The clash between an object’s temporality

and its appearance reveals the unexpected emergence of personal narratives, fragments of dialogues, and simple moods, transforming her sculptures into object-based performances. Together with artist Francesco Pedraglio runs the publishing project Juan de la Cosa / John of the Thing. Recent solo exhibitions include Daylength of a Room at Kunsthalle Basel, Basel (2018) and Smoke, nearby at MCA Chicago (2017). Recent group exhibitions include SITElines 2018, Casa Tomada at SITE, Santa Fe (2018); Ayrton at Museo Tamayo, Mexico City (2017); the 11th Gwangju Biennale “The Eighth Climate (What Does Art Do?)” , Gwangju, (2016); Surround Audience: the New Museum Triennial 2015 at New Museum, New York (2015).

Margherita Raso (b. 1991, Italy)

Margherita Raso lives and works between New York and Milan. She received her BA in Painting from Accademia di Belle Arti di Brera, Milan. In 2014 she co-founded the artist-run space Armada. Her works shift between textured, nuanced, and tactile surface, akin to skin. Through the use of textile that is fabricated by Jacquard-weaving, she investigates the role and the meaning of texture. Her most recent textile productions – namely woven drawings – are based on the invention of a language of gestural repertoire whose traces can be registered and fixed. Whether is fabric or ceramic, bronze or cast iron, the artist approach to materials intends to create narrations of mutated forms where the body exists with its limits and possibilities for transformation.

Recent exhibitions include:La terra piatta è la dimensione lirica di un luogo come se regredire fosse inventare at Octagon, Milan (2019); Canal at Bible, New York (2018); That’s IT! at MAMbo – Museo d’Arte Moderna di Bologna (2018); Piercing at Fanta-MLN, Milan (2017); Where Wild Flowers Grow at Armada, Milan (2016).

Dominique White (b. 1993, UK)

Dominique White weaves together the theories of Blaccelerationism and Afrofuturism with the nautical myths of Black Diaspora into a term she defines as the Shipwrecked; a reflexive verb and state of being. Her sculptures demonstrate how Black life could extend beyond its own subjective limits and act as beacons or vessels of an ignored civilization defined as the Stateless; a realm in which the past, present, and future have converged into a Black Future.  Recent exhibitions and presentations include Fugitive of the State(less) at VEDA, Florence (2019); Flood-tide at Love Unlimited, Glasgow (2018); The Share of Opulence; Doubled; Fractional, at Sophie Tappeiner, Vienna (2018); °c at Clearview.ltd, London (2018); The Conch – April 2018 at South London Gallery, London ( 2018). White was an artist-in-residence with the network Formerly Called at Wysing Arts Centre (UK) from March to September of 2018.

In Favignana, the artists will present the research carried out during the residency on:

Friday 12th (evening hours), Saturday 13th and Sunday 14th (morning hours) July 2019. Detailed locations and times to be announced soon.

The open studios are open to the public and free, read the “Reach Favignana” section for tips on how to visit

 

Marianna Vecellio – chief curator

Curator, researcher, and writer is an art historian. In 2012 she has been appointed as curator at Castello di Rivoli Museo d’Arte Contemporanea, Rivoli/Torino – where she works since 2007. She has curated various exhibitions and publications among the other Andres Serrano’s Via Crucis, Massimo Grimaldi’s Before The Images, Paloma Varga Weisz, Rachel Rose, Cecile B. Evans, Ed Atkins, Anna Boghiguian and edited monographic catalogs such as John McCracken and Luigi Ontani. She collaborates to numerous editorial projects with particular attention to historical research in the compilation of chronological and anthological histories. From 2009 she is in the committee board of Public Art of the City of Torino. She has contributed to numerous Italian and International magazines. She is currently working at the solo exhibition of Hito Steyerl and Cally Spooner. Working on Curva Blu since 2016, for INCURVA, Marianna also curated Sivilization’s Wake by Stephen G. Rhodes and Barry Johnston (Palermo, 2018).

Attilia Fattori Franchini – curator

Attilia Fattori Franchini is an independent curator and writer based in London and Milan. She is cofounder of the nonprofit platforms bubblebyte.org and Opening Times and contributes essays and reviews to international publications such as Mousse, CURA, and Flash Art International.  She has been working at Curva Blu since its inception in 2016. Attilia is currently curator of BMW Open Work by Frieze (since 2017); the Emergent section of miart, Milan (since 2017); and directed the latest edition of the Termoli Art Prize, Italy (2018). Recent projects include Could you visit me in dreams? as part of curated_by 2018, Vienna, (2018); Red Lake at Point Centre for Contemporary Art, Nicosia (2018); and ARS17+ at Kiasma, Museum, Helsinki (2017).

Past projects include: Meshes of the Afternoon, Roman Road, London (2017); Céu Torto, Boatos Fine Arts, São Paulo (2017); Morning uber, evening oscillators, Seventeen, London (2016); Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo (2016); Oa4s, Temra and David in 4 parts, Sorbus, Helsinki (2016); Yves Scherer, Snow White and The Huntsman, Mexico City (2016); Kuvan Kevät, Kuvat Academy of Fine Arts, Helsinki (2015); Bold Tendencies, London (2015); and HAND, Barbican Centre, London (2013).

For more info: http://attiliaff.com

Ex Stabilimento Florio delle Tonnare di Favignana e Formica

Curva Blu studios are set in the wonderful estate of Museum Ex-Stabilimento Florio delle Tonnare di Favignana e Formica.

The museum is open daily

June-September: 10-13 and 17-23
October: 10-17

Reach Favignana

INCURVA’s is here to help you out reaching Favignana, so don’t hesitate to contact us. Find below some travel tips.

 

Favignana is a small island off the coast of Western Sicily, Italy. The closest airports are Trapani and Palermo.

 

Favignana is just 30 minutes hydrofoil ride away from Trapani or Marsala’s port.
There’s at least 10 rides per day from Trapani and less from Marsala, you can use www.libertylines.it to check out timetable or book.
Please note that the last ride of the day is at 8pm from Trapani and 7.30pm from Marsala.

There’s many options for rentals on the island, but if you need to take vehicle on the island, you’ll need to travel with Siremar or NGI

Distance to Trapani’s port:

 

From Trapani’s Airport:
– 30 min drive – you can grab a taxi at the airport (30 EUR) or call Michelangelo for a van/car +39 335 82 25 215
– buses are frequent (10 EUR) and drop you at the port

From Palermo’s Airport:
– 60 min drive: contact Michelangelo Transfer for private van +39 335 82 25 215 (about 75 EUR)
– 70 min bus timetable here bus drops you at the port
– 2 hours bus: go to Palermo first (bus, taxi, shared taxi) and hop-off at Via Belgio Bus stop, from there hop on a bus to Trapani, timetable here

From Palermo’s port/city center:
– 80 min drive: contact Michelangelo Transfer for private van +39 335 82 25 215 (about 75 EUR)
– 90 to 120 min with bus, frequent a buses drop you at Trapani’s port timetable here

Rail: unless you want to enjoy and long trip, we discourage taking the train

In Favignana

Trasportation once in Favignana:
– Rent your car/bike/scooter at Infopoint, big red building just off Favignana Port
– There’s many taxi services on the island

 

Recommended house rentals (our friends!):
– Alessandra’s houses:  https://www.traventoemare.it/
– Rosario’s houses on Airbnb
– Davide’s houses www.favignanacasa.it
– Plenty of options on Airbnb

Recommended hotels (our friends!):
– Casa al mare
– Hotel Cave Bianche
– Hotel delle Cave

Curva Blu is made in partnership with the following institutions:

Congratulations Trisha Baga for her solo show at Greene Naftali (NYC), also featuring the cave footage shot during Curva Blu 2017. More info

INCURVA has been invited at Supercondominio, a gathering of new contemporary art spaces in Italy promoted by Castello di Rivoli and its research department, the CRRI. More info about the event

8 July 2018

Some of the works conceived during the Curva Blu 2017 residency are on show at Loom Gallery, more info here.

9 May 2018

We are glad to see part of the research that took place during Curva Aperta 2017 surfacing in Gianni Politi’s exhibition “2017”. More information here. 14 Apr 2018

Some of the research carried during Curva Blu 2016 by Nicola and Jacopo on show at Mega Off-site. More info here 14 Apr 2018

Trisha Baga’s work produced during Curva Blu 2017 residency was exhibited at The Whitney Museum of American Art (New York City) Art Party, sponsored by Birkenstock. 20 Nov 2017

“Egadi (il mondo di ieri)” (2016), shot in Favignana by Renato Leotta, is on view at Quadriennale di Roma 2016. 26 Mar 2016

INCURVA aims at making western Sicily a fertile ground for research in contemporary art, re-activating its public spaces and stimulating dialogue with its local communities through a platform for residencies, talks and exhibitions. Established in 2016.

INCURVA is not-for-profit, read more on how to support us 

Contact us at info@incurva.org, on Instagram / Facebook or subscribe to our newsletter





Design: Mattia Losa | David Mozzetta | Marco Tomassoli
Web Development:  Davide Giorgetta

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